Monday, April 14, 2014

PR: X-Men Burlesque Comes to Washington DC


The Cyn Factory Presents: Burl-X-Men


Have you always known that you are different? Feel lost among a society that hates and fears you? Afraid to let anyone know who you really are?

Come to Professor Xavier's School for the Gifted, where you will learn to understand and control your powers to strip to the betterment of mankind. 

Featured professors:
Mary Cyn
Fem Appeal
Lefty Lucy
Charles Stunning
Sarah Tops
Mr. Tops

TWO Chances to matriculate:
7pm for mutants 18+ (doors 6:30)
10pm for mutants 21+ (doors 9:30)

There will be a costume contest so be proud and dress like the mutant you are.

Also, Mary Cyn will be teaching a special nerdlesque class before the show. Space is limited so reserve early!
https://www.facebook.com/events/644912175574612/

Venue Info:

Bier Baron is located at 1523 22nd Street NW
Washington DC 20037.

Tickets $12
http://burl-x-men.brownpapertickets.com/

Saturday, April 12, 2014

Amazing Spider-Man 2 promotion with the Postal Service

The Amazing Spider-Man 2 promotion with the Postal Service, on a van at M and 19th St, NW, Washington, DC, in a photo by Nick Galifianakis, Spider-Man is also appearing on the fixed price small box that you can get at the Post Office.

Friday, April 11, 2014

Lumberjanes reviewed

Brooke Allen is now a local cartoonist, having moved here from SCAD. Her new comic book, Lumberjanes is reviewed here, and Big Planet Comics has a special variant cover. I got mine today at Bethesda.


March 1975: Pat Oliphant joins the Washington Star

Introducing Oliphant, New Cartoonist for The Washington Star
Washington Star (March 30 ,1975)

Braaten, David.  1975.
Meet Pat Oliphant, The Washington Star's New Cartoonist.
Washington Star (March 31 ,1975) A-1, 7

Clippings courtesy of Richard Thompson.




OT: Courtney Utt, graphic designer at Viz, has passed away

A former Viz employee has informed me: "The graphic designer Courtney Utt, who worked on many of Viz’s finest book covers, died the week of April 7, 2014." A death notice will run on Sunday (found courtesy of D.D. Degg), but it doesn't mention her comics work.

Off-topic, but posting, with respect, for the historical record.
Updated, 4/11/14.

The Post reviews Rio 2 cartoon

‘Rio 2’ movie review

Blue Sky Studios/Associated Press - “Rio 2” follows Spix’s macaws Blu (Jesse Eisenberg) and Jewel (Anne Hathaway) as they make friends, run into childhood ones and tussle with villains new and old.

Thursday, April 10, 2014

Comic Riffs on comiXology purchase

 

This just in: Amazon.com reaches deal to buy comiXology

    By Michael Cavna     

    Washington Post Comic Riffs blog April 10 2014

    http://www.washingtonpost.com/news/comic-riffs/wp/2014/04/10/this-just-in-amazon-com-reaches-deal-to-buy-comixology/

Cartoonists at National Book Festival

Nice list: Bob Staake, Jules Feiffer, Rep. John Lewis, Gene Luen Yang, Jeffrey Brown, Liza Donnelly, Bryan Lee O’Malley, Dav Pilkey

April 10, 2014

Kai Bird, Kate DiCamillo, Francisco Goldman, Alice McDermott Among Authors at 2014 Library of Congress National Book Festival

Renowned Illustrator Bob Staake Will Create Festival Poster Art

A wealth of authors, poets and illustrators for readers of all ages—including such writers as Jonathan Allen, Amie Parnes, Peter Baker, Ishmael Beah, Kai Bird, Billy Collins, Kate DiCamillo, Francisco Goldman, Henry Hodges, Siri Hustvedt, Cynthia Kadohata, U.S. Reps. John Lewis and James Clyburn, Alice McDermott, George Packer, Lisa See, Maria Venegas, and Gene Luen Yang—will thrill book-lovers at the 2014 Library of Congress National Book Festival. The festival, which is free and open to the public, will take place from 10 a.m to 10 p.m. on Saturday, Aug. 30 at the Walter E. Washington Convention Center in Washington, D.C.

The festival for the first time in its history will hold evening hours, with special events between 6 p.m. and 10 p.m. including a poetry slam, a session featuring "Great Books to Great Movies," and a "super-session" for graphic-novel enthusiasts. The theme of this year’s festival is "Stay Up With a Good Book."

The festival’s new location also facilitates an expanded selection of genre pavilions. In addition to the longtime pavilions History & Biography, Fiction & Mystery, Poetry & Prose, Children’s, Contemporary Life, Teens and Special Programs, this year’s festival also will offer new pavilions focused on Science, Culinary Arts, Small Press/International and for children, Picture Books.

"The world of books always offers us something new. This year, the Library’s National Book Festival will return the favor, offering our fresh approach to the world of books," said Librarian of Congress James H. Billington.

Authors who have accepted the Library’s invitation to speak and sign books at the 2014 Library of Congress National Book Festival also include Bob Adelman, Paul Auster, Andrea Beaty, Eula Biss, Kendare Blake, Paul Bogard, Jeffrey Brown, Peter Brown, Eric H. Cline, Bryan Collier, Raúl Colón, James Conaway, Ilene Cooper, Jerry Craft, H. Allen Day, Liza Donnelly, Margaret Engle, Percival Everett, Jules Feiffer, David Theodore George, Carla Hall, Molly Idle, Peniel E. Joseph, Nick Kotz, Nina Krushcheva, Louisa Lim, Eric Litwin, Adrienne Mayor, Meg Medina, Claire Messud, Anchee Min, Elizabeth Mitchell, Richard Moe, John Moeller, Bryan Lee O’Malley, Alicia Ostriker, Laura Overdeck, Dav Pilkey, Paisley Rekdal, Amanda Ripley, Cokie Roberts, Ilyasah Shabazz, Lynn Sherr, Brando Skyhorse, Vivek Tiwary, David Treuer, Ann Ursu, Lynn Weise, Rita Williams-Garcia, Natasha Wimmer, Jacqueline Woodson and Tiphanie Yanique.

Details about the Library of Congress National Book Festival can be found on its website at www.loc.gov/bookfest. The website offers a variety of features, and new material will be added to the website as authors continue to join this year’s stellar lineup.

Among those notables, Alice McDermott, born in Brooklyn and educated in New York and New Hampshire, won the National Book Award for Fiction for her novel "Charming Billy" (1998). Her latest novel is "Someone" (Farrar, Straus & Giroux, 2013). McDermott’s other novels include "A Bigamist’s Daughter" (1983), "That Night" (1987), "At Weddings and Wakes" (1992), "Child of My Heart" (2002) and "After This" (2006). McDermott, who also writes extensively for The New York Times, The New Yorker and The Washington Post, is the Richard A. Macksey Professor of Humanities at Johns Hopkins University in Baltimore.

Kai Bird is the author of the soon-to-be-released "The Good Spy: The Life and Death of Robert Ames" (Crown/Random House). He also wrote "Crossing Mandelbaum Gate: Coming of Age Between the Arabs and Israelis, 1956-1978" (2010) and was co-author with Martin J. Sherwin of the Pulitzer Prize-winning biography, "American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer" (2005), which additionally won the National Book Critics Circle Award for Biography and the Duff Cooper Prize for History in London. A contributing editor of The Nation, Bird is also the author of the books "The Chairman: John J. McCloy, the Making of the American Establishment" (1992) and "The Color of Truth: McGeorge Bundy & William Bundy, Brothers in Arms" (1998).

Kate DiCamillo, the Library of Congress National Ambassador for Young People’s Literature, wrote "Because of Winn-Dixie" (a Newbery Honor book), "A Tiger Rising" (a National Book Award finalist), "The Tale of Despereaux" (the 2003 Newbery Medal winner) and "The Miraculous Journey of Edward Tulane" (winner of the Boston Globe Horn Book Award), among others. Her most recent book, a New York Times best-seller, is "Flora & Ulysses" (Candlewick Press, 2013).

Francisco Goldman’s most recent novel is "Say Her Name," which won the 2011 Prix Femina Étranger. His novel "The Long Night of White Chickens" was awarded the American Academy's Sue Kaufman Prize for First Fiction. Goldman’s novels have been finalists for several prizes, including The PEN/Faulkner Prize and the Los Angeles Times Book Prize. His other books include "The Ordinary Seaman," "The Divine Husband," "The Art of Political Murder" and "The Interior Circuit." Goldman has been a Guggenheim Fellow, a Cullman Center Fellow at the New York Public Library and a Berlin Fellow at the American Academy. He has written for The New Yorker, the New York Times Magazine, Harper's and other publications. He directs the Aura Estrada Prize. Goldman teaches at Trinity College in Hartford, Conn.

Well-known artist and illustrator Bob Staake has designed the artwork for this year’s Library of Congress National Book Festival poster, a collector’s item throughout the 14-year life of the festival.

Staake has been the author or illustrator of more than 60 books, including "The Donut Chef," "Bluebird," "Bugs Galore," "Hello Robots," "Look! A Book," "This Is Not A Pumpkin," "Pets Go Pop" and others. He has also illustrated extensively for magazines, including several covers for The New Yorker, and for newspapers and advertising.

The festival’s new setting will offer many familiar and popular activities. Representatives from across the United States and its territories will celebrate their unique literary offerings in the Pavilion of the States. The Let’s Read America area will offer reading activities that are fun for the whole family. The Library of Congress Pavilion will showcase treasures in the Library’s vast online collections and offer information about Library programs.

The 2014 National Book Festival is made possible through the generous support of National Book Festival Board Co-Chairman David M. Rubenstein; Charter Sponsors the Institute of Museum and Library Services, The Washington Post and Wells Fargo; Patrons the National Endowment for the Arts and PBS KIDS; Contributor Scholastic Inc. and—in the Friends category—the Harper Lee Prize for Legal Fiction and the National Endowment for the Humanities.

The Library of Congress, the nation’s oldest federal cultural institution, is the world’s preeminent reservoir of knowledge. Many of the Library’s rich resources and treasures may be accessed through its website, www.loc.gov.

# # #

PR 14-062
04/10/14 
ISSN 0731-3527

Bob Mankoff on WAMU

New Yorker Cartoon Editor Bob Mankoff
WAMU'S KOJO NNAMDI SHOW, APR 10, 2014 

Wednesday, April 09, 2014

Wonder Woman's granddaughter talks to Marc Nobleman

Granddaughter of Wonder Woman's creator - her first interview
by Marc Tyler Nobleman
Noblemania blog April 7, 2014
http://noblemania.blogspot.com/2014/04/granddaughter-of-wonder-womans-creator.html

The Post's Act Four on Archie's death

Why Archie Andrews’s impending comic-book death makes me so sad
BY ALYSSA ROSENBERG
Washington Post's Act Four blog April 8 2014

Comics delayed until this afternoon at Big Planet Bethesda



Because of shipping delays, Big Planet Comics Bethesda store will open at 1 PM Wednesday, hopefully with new comics on the rack.

--The management
--   Joel Pollack  BIG PLANET COMICS    4849 Cordell Ave.  Bethesda, MD 20814    

Tuesday, April 08, 2014

Brooke Allen's Lumberjanes reviewed at The Comic Age

Cartoonists Draw Blood Returns May 31st



Cartoonists Draw Blood will be returning this May.

Last year's Cartoonists Draw Blood was a great success! Because of you, the American Red Cross has asked us to do another on May 31, 2014! Once again, the event will be held at Seeker's Church in Washington, DC and all blood donors will receive a complimentary sketch by one of our cartoonists while they wait.

Blood donors, sign up by email for appointments between 10:00AM and 3:30PM BEFORE the 31st of May. 

To sign up and donate, e-mail us at CARTOONISTSDRAWBLOOD@GMAIL.COM with your preferred appointment time.

On the day of your blood donation:
-drink plenty of fluids
-include iron-rich foods in your diet
-bring a list of medications you are taking
-bring a photo ID

Even if you can't attend the event, please tell your friends: https://www.facebook.com/events/1437807213121707/

Cartoonists Draw Blood 
Seekers Church, Takoma Park
Saturday, May 31, 2014 
10am to 3:30pm 
276 Carroll Street NW, Washington, DC 20012

Sponsored by: Cartoonists Draw Blood, American Red Cross, National Cartoonists Society, and Seekers Church 

We hope to see you on the 31st!

Troy-Jeffrey Allen and Carolyn Belefski
Drive Coordinators
Make an appointment: CartoonistsDrawBlood@gmail.com




Sunday, April 06, 2014

Flugennock's Latest'n'Greatest: "Ripple Of Action"



"Ripple Of Action"
http://sinkers.org/stage/?p=1467

Apparently, some kind of Worldwide Wave Of Action started last week, billed as a rekindling of the Occupy movement. Having covered at least half a dozen previous "international days of action", my well-honed cynicism kicked into gear as I remembered how all the previous "worldwide" action days drew hundreds of thousands in cities outside the US -- while inside the US, the turnouts could be generously described as pathetic.

The current "worldwide" Wave Of Action was no different, judging from what I was seeing on my Twitter feed. Cities in the UK and Europe turned out healthy numbers while in the meantime, in the US, I saw the usual sad smattering of thin, weak protests, with small veterans' contingents and others gathering in places like the NYC Vietnam Veterans Memorial and Zucotti Park, only to be chased off or arrested by police.

I was also somewhat less than inspired by the vagueness of their rhetoric and sloganeering. On Twitter I saw pronouncements like "movement of movements" and "bring your own goals", with no mention of any specific issues, such as war and militarization, unemployment, state-enforced economic austerity, the destruction of civil liberties, or the US-instigated "revolution" in the Ukraine -- just lots of lofty faux revolutionary hype and empty poetic slogans.

I won't speak for the rest of the world, but in the US, the "Wave Of Action" was more like a "ripple of action".

Oh, yeah -- and, cupcakes.

________________________________________________________________
Mike Flugennock, flugennock at sinkers dot org
Mike's Political Cartoons: dubya dubya dubya dot sinkers dot org

The Post talks to Pixar's president

An animated leadership talk with Pixar’s president

Ed Catmull is photographed on January 15, 2010 at Pixar Animation Studios in Emeryville, Calif. (Photo by Deborah Coleman / Pixar)

Ed Catmull is photographed on January 15, 2010 at Pixar Animation Studios in Emeryville, Calif. (Photo by Deborah Coleman / Pixar)

April 6: Kurtis J. Wiebe and Roc Upchurch at Big Planet College Park

Big Planet Comics is proud to welcome Kurtis J. Wiebe and Roc Upchurch for a signing of the first collection of their new series, Rat Queens!

Rat Queens is a dark humor/fantasy book, where an all-female team of mercenaries goes on adventures and missions while trying to get as much money as possible (and trying to get out all the trouble they get each other into!)

You can download a preview of Rat Queens for free at Image's website: https://imagecomics.com/comics/releases/rat-queens-free-preview

Kurtis's website: http://kurtiswiebe.wordpress.com/
Roc's website: http://johnnyrocwell.blogspot.com/

https://www.facebook.com/RatQueens

Saturday, April 05, 2014

May 15: R.M. Rhodes is teaching a free class on French comics

An Introduction to French Comics (reprise)

At the Petworth Citizen (829 Upshur St NW in Washington, DC)
May 15 @ 6:30 pm - 8:00 pm
Free

This class will highlight the past 150 years of French-language comics, including the works of Rodolphe Töpffer, Hergé, René Goscinny, Moebius, and Lewis Trondheim — some of which are available in English. You’ll depart with a road map for exploring this fascinating comics culture.

For more information and to register visit: http://knowledgecommonsdc.org/classes/

The registration for the class isn’t live yet, but it should be up in the next week or two.

This is a reprise of the class I taught in January, which went so well that they asked me to teach it again. If this one goes like the last one, there will be a lot of questions and some good discussion. Plus I bring in part of my collection of BD as examples.

The Post talks to Captain America 2 directors

'Captain America 2′ directors talk filming in D.C., casting Robert
Redford and the movie's very timely politics
By Emily Yahr
April 4 2014
http://www.washingtonpost.com/blogs/style-blog/wp/2014/04/04/captain-america-2-directors-talk-filming-in-d-c-casting-robert-redford-and-the-movies-very-timely-politics/

That darn Toles and Luckovich

Letter to the Editor: Caveats for cultural critiques

Eric R. Carey, Arlington

Bruce G. Kauffmann, Alexandria

Washington Post April 5 2014, pp. A13

online at http://www.washingtonpost.com/opinions/caveats-for-cultural-critiques/2014/04/04/ac20a5a0-b9b7-11e3-80de-2ff8801f27af_story.html

Friday, April 04, 2014

The Post on the new Captain America movie

‘Captain America: The Winter Soldier’ review: Maybe the most grown-up Avengers movie yet

Zade Rosenthal - Chris Evans and Scarlett Johansson reprise their roles as Captain America/Steve Rogers and Black Widow/Natasha Romanoff in “Captain America: The Winter Soldier,” the newest installment in the Avengers superheroes series.

Cohen workshop at Art Enables, April 12

Andrew Cohen will hold a workshop on making your own superhero April 12 from 1-4 p.m. at Art Enables in Washington, D.C. The event is free but space is limited so reservations are encouraged. Email: bbaldwin@art-enables.org

"Andrew Cohen is a comic booker in Washington, DC. In addition to his self-published comics, such as Howzit Funnies and Dr. W, he has also created comics for the Washington Bach Consort and the Washington Mandarin Oriental Hotel. His book Surrealia: Chapter One, with Billy Lopez, appeared in Mount Hope, the literary journal of Roger Williams University, and his comic for the Harvey Award nominated District Comics, was featured in the Washington City Paper. He is an original member of the D.C. Conspiracy, a local comics collective, and helps put out the free comics newspaper, Magic Bullet.


This workshop is free to the community and all materials are provided."


Thursday, April 03, 2014

SPX's Ignatz Award nominations open

2014 Ignatz Awards Submissions Are Open!  Tis the time to submit your comics for consideration in Small Press Expo’s festival prize, the Ignatz Award. Submissions are open to all independent comics creators and publishers.   Note: You do not need to be an SPX 2014 exhibitor to submit, nor do you need to attend Small Press Expo to win.      Fame, fortune, glory and drink tickets galore await you!      Ignatz nominees are selected by a super-secret jury of creators (a new group each year) and voted on by attendees and exhibitors of Small Press Expo 2014.      As a part of the SPX Permanent Collection at the Library of Congress, all Ignatz nominees will automatically be sent to the LOC for permanent preservation.  Previous Ignatz winners include Kate Beaton, Michael DeForge, Lisa Hanawalt, Jaime Hernandez, Kevin Huizenga, Jillian Tamaki and Craig Thompson to name just a few!The Ignatz Categories    All work will be eligible in all applicable categories, which include:  Outstanding Artist  Outstanding Anthology or Collection  Outstanding Graphic Novel  Outstanding Story  Promising New Talent  Outstanding Series  Outstanding Comic  Outstanding Minicomic  Outstanding Online Comic  Dat Rat    Speaking of “Promising New Talent,” starting in 2012 we began asking the winner of this particular award to create their own version of George Herriman’s brick-throwing rat (thank you Daryl Ayo and Lale Westvind!).    Last years’ well-deserved winner, Sam Alden produced the wonderful illustration above for our use in 2014.    The Ignatz Submission ProcessIn order to be considered for an Ignatz nomination, six copies of a work published between June 1, 2013 and May 31, 2014 should be sent to:SPX Ignatz Awardsc/o Big Planet Comics4849 Cordell Ave.Bethesda, MD 20814  USA** Please note this is a different address from last year. ** Links to comics eligible for the Outstanding Online Comic category should be emailed to spxignatz@gmail.com.      All submissions must be received by June 7, 2014.    Full guidelines are available at http://www.spxpo.com/ignatz-guidelines.  All questions should be sent to the Ignatz Award coordinator, Eden Miller, at spxignatz@gmail.com.

2014 Ignatz Awards Submissions Are Open!

Tis the time to submit your comics for consideration in Small Press Expo’s festival prize, the Ignatz Award. Submissions are open to all independent comics creators and publishers. 

Note: You do not need to be an SPX 2014 exhibitor to submit, nor do you need to attend Small Press Expo to win.
Fame, fortune, glory and drink tickets galore await you!
Ignatz nominees are selected by a super-secret jury of creators (a new group each year) and voted on by attendees and exhibitors of Small Press Expo 2014.  
As a part of the SPX Permanent Collection at the Library of Congress, all Ignatz nominees will automatically be sent to the LOC for permanent preservation.

Previous Ignatz winners include Kate Beaton, Michael DeForge, Lisa Hanawalt, Jaime Hernandez, Kevin Huizenga, Jillian Tamaki and Craig Thompson to name just a few!

The Ignatz Categories
All work will be eligible in all applicable categories, which include:
  • Outstanding Artist
  • Outstanding Anthology or Collection
  • Outstanding Graphic Novel
  • Outstanding Story
  • Promising New Talent
  • Outstanding Series
  • Outstanding Comic
  • Outstanding Minicomic
  • Outstanding Online Comic
Dat Rat
Speaking of “Promising New Talent,” starting in 2012 we began asking the winner of this particular award to create their own version of George Herriman’s brick-throwing rat (thank you Daryl Ayo and Lale Westvind!).
Last years’ well-deserved winner, Sam Alden produced the wonderful illustration above for our use in 2014.
The Ignatz Submission Process

In order to be considered for an Ignatz nomination, six copies of a work published between June 1, 2013 and May 31, 2014 should be sent to:

SPX Ignatz Awards
c/o Big Planet Comics
4849 Cordell Ave.
Bethesda, MD 20814
USA

** Please note this is a different address from last year. ** 

Links to comics eligible for the Outstanding Online Comic category should be emailed to spxignatz@gmail.com.  
All submissions must be received by June 7, 2014.
Full guidelines are available at http://www.spxpo.com/ignatz-guidelines.

All questions should be sent to the Ignatz Award coordinator, Eden Miller, at spxignatz@gmail.com.

Batman 1960's TV show writer dies

Screenwriter Lorenzo Semple Jr. dies at 91; worked on blockbuster movies, TV’s ‘Batman’
By David Colker, Washington Post April 3 2014

Comic Riffs talks to Archie Comics

How the Archie Comics CEO rescued ol’ Riverdale High from being ‘old school’
BY DAVID BETANCOURT
Washington Post Comic Riffs blog April 2 2014

"Herblock Looks at 1964" Exhibition Opens April 5

Library of Congress
101 Independence Ave. SE
Washington DC   20540

April 3, 2014


Public contact:  Sara Duke (202) 707-3630, sduk@loc.gov

“Herblock Looks at 1964” Exhibition Opens April 5 

The Civil Rights Movement and the struggle to pass the Civil Rights Act will be the main focus of a 10-cartoon display of Herblock drawings at the Library of Congress.  Herblock was the Pulitzer-Prize winning political cartoonist at the Washington Post for more than 55 years.

The exhibit, “Herblock Looks at 1964: Fifty Years Ago in Editorial Cartoons,” will open Saturday, April 5, 2014, in the Herblock Gallery of the Graphic Arts Galleries, ground floor of the Thomas Jefferson Building, 10 First St. S.E., Washington, D.C.  Free and open to the public from 8:30 a.m. to 4:30 p.m., Monday through Saturday, the exhibit runs through Saturday, Sept. 13, 2014

Six of the cartoons in the exhibit deal with Civil-Rights issues.  The other four drawings cover the Barry Goldwater nomination, the ill effects of cigarettes, unregulated mail-order purchases of firearms, and the strained relationship between China and the Soviet Union.

The Herblock Gallery, part of the Graphic Arts Galleries, celebrates the work of Herbert L. Block with a rotating display of 10 original drawings.  The display changes every six months.  A second set of drawings from 1964 will be placed on exhibition from Sept. 20, 2014 to March 14, 2015.

One of the cartoons depicting the struggle to pass the Civil Rights Act is “SAFE!” published in the Washington Post on June 21, 1964.  Baseball was one of Herblock’s visual metaphors for the game of politics.  In this drawing, he used the slide into home plate as a celebration for the end of the 54-day filibuster that delayed passage of the Civil Rights Act in the Senate until June 19, 1964.  The House agreed to the Senate’s language and ended the era of Jim Crow legalized segregation.  President Lyndon Johnson signed the bill into law on July 2, 1964.

The Herb Block Foundation donated a collection of more than 14,000 original cartoon drawings and 50,000 rough sketches, as well as manuscripts, to the Library of Congress in 2002, and has generously continued to provide funds to support ongoing programming.

“Herblock Looks at 1964” is part of the Library of Congress commemoration of the 50th anniversary of the signing of the Civil Rights Act which is anchored by the web-based Civil Rights History Project and the exhibition, “The Civil Rights Act of 1964: A Long Struggle for Freedom.”  The exhibition, opening June 19, is made possible by a generous grant from Newman’s Own Foundation and with additional support from HISTORY®.

The Library has been collecting original cartoon art for more than 140 years.  It is a major center for cartoon research with holdings of more than 100,000 original cartoon drawings and prints.  These works, housed in the Prints and Photographs Division, span five centuries and range from 17th-century Dutch political prints to 21st-century contemporary comic strips.

The Prints and Photographs Division holds the largest-known collection of American political prints, the finest assemblage of British satirical prints outside Great Britain and holdings of original drawings by generations of America’s best cartoonists and illustrators that are unequaled in breadth and depth.  Extensive runs of rare satirical and comic journals from Europe and the United States represent another distinguishing facet.  The Library acquired these materials through a variety of sources including artists’ gifts, donations by private collectors, selective purchases and copyright registration.

The Library of Congress, the nation’s oldest federal cultural institution and the largest library in the world, holds more than 158 million items in various languages, disciplines and formats.  The Library serves the U.S. Congress and the nation both on-site in its reading rooms on Capitol Hill and through its award-winning website at www.loc.gov.

# # #

PR14-58
4/3/14
ISSN: 0731-3527



Bob Mankoff talk pictures

 Bruce Guthrie's pictures from Bob Mankoff's talk at Politics and Prose last night are up on his site.  The direct link is http://www.bguthriephotos.com/graphlib.nsf/keys/2014_04_02G_Mankoff
As usual, Mankoff was very amusing and very generous with his time.



Cartoonists Joe Sutliff, Steve Artley, Bob Mankoff, Al Goodwyn, comics historian Mike Rhode and comics curator Sara Duke.


__,_._,___

Tuesday, April 01, 2014

Beyond Text and Line: A Discussion on the Art of Comic Books

In conjunction with its new art exhibit, “A Shared Universe: The Art of Comic Books” (which runs April 12-June 8), Strathmore in North Bethesda, Md., will host a panel discussion with local comics folks on April 27 at 2 p.m. titled “Beyond Text andLine: A Discussion on the Art of Comic Books.” Tickets are $5.

“Join the colorful conversation moderated by Greg McElhatton, former Executive Director of the Small Press Expo (SPX,) a founding freelancer for Wizard, and a current reviewer on iComics.com. Panelists include: Emily Gillis of Wayward Studios; JD Deardourff, a local comic-inspired artist; Rafer Roberts of Plastic Farm Press; and Monica Gallagher of EatYourLipstick.com.”

Photo: Strathmore

May 31: Box Brown at Big Planet Comics DC

Final Updated Tour Poster. Shoot man it’ll be nice to meet you fine folks.  

NPR on Captain America film's DC locations

Captain America On The Potomac
by LINDA HOLMES
National Public Radio's Monkey See blog April 01, 2014

Bob Mankoff asks, "How About Wednesday - Is Wednesday Good For You?"

Robert Mankoff is the New Yorker's cartoon editor and a very smart man. He'll be at Politics and Prose on Wednesday, April 2, at 7 pm to discuss his new book, How About Never - Is Never Good for You? My Life In Cartoons (Henry Holt, $32.50).

The book is a breezy, extremely well-illustrated autobiography / history of New Yorker cartooning / treatise on gag cartooning that is a quick, but worthwhile read. The style is one that Mankoff perfected on his From the Desk of Bob Mankoff blog: short, pithy, humorous essays well illustrated by cartoons. By this point, in 20 years of being the cartoon editor, he's selected over 14,000 for the magazine, many of which aren't by him. That's actually a sample of the type of humor in the book by the way.

My suspicion is that parts of this book actually appeared there first, which in no way undermines its value. The introduction is actually useful for anyone who picks up the book and is unfamiliar with Mankoff's role in cartooning. He then begins with a superficial look at his early interest in cartooning, relating that to the currently-fashionable theory that Jews produced much of the 20th century's comic art.* And honestly, that is all we really need about his teenage years, and the book picks up steam when he writes about attempting to break into Lee Lorenz's cartoonist stable. His discussion of the need for a distinctive style, and developing his pointillist version, is quite interesting. Mankoff's look at the first cartoons by him, Jack Zeigler, Michael Maslin, Roz Chast and Mick Stevens is clever, and his discussion of the changing nature of New Yorker cartoons is a must-read.

A chapter looks at how he began the Cartoon Bank, an electronic database / syndication service for cartoons the New Yorker rejected, sold that to the magazine which expanded it, and indexed and digitized all the cartoons the magazine had ever run. The way the magazine handled this before was a scrapbook for each cartoonist with clippings pasted in them. One can easily see the possibilities that having a computer-searchable catalog opened up for licensing and reprint books.

Perhaps a little too much space is devoted to the Seinfeld episode which focussed on the New Yorker's cartoon choices, but Mankoff uses that as a stepping off place to write about the nature of cartoon humor. As I said, he's a very smart man. Mankoff also looks at the joys and difficulties of developing his own stable of newer cartoonists, how and why cartoons are selected, editor-in-chief David Remnick's role in the final selection, the cartoon contest is the magazine's back pages, and closes with a look at the newest cartoonists to join the magazine.

Overall, if one is interested in either gag cartooning, the New Yorker, or the nature of humor, this is a must-have book.

*Not that there's anything wrong with that, to quote another comedic Jew, Jerry Seinfeld.

Game On! Comics Graphic Novel Trade-In Day this Saturday

Got some old Graphic Novels sitting around? 
 Trade them in for store credit! 

 Do you have old graphic novels sitting around unread, and you want to clear up some space for new collections? Bring your used graphic novels in this Saturday, April 5, from Noon-4pm, for our new Trade-In Day!

We will give you store credit based on the resale value and condition of your books that you can use immediately, or in the future, on any store product (even books in your subscription box)!
Game ON logo
Graphic Novel Trade-In Day!

This Saturday
April 5th
All Day


We will be exchanging store credit for your used trades!   
Here is how it works:
Value of your graphic novel
$1-$20 = $5 store credit token
$21-$40= $10 store credit tokens
$41-$60= $15 store credit tokens
$61-$80= $20 store credit tokens
$81-$100= $25 store credit tokens
That's it!  Just bring them in and trade!

*We do reserve the right to decline graphic novels based on condition, popularity, and current stock.




The Post censors Pearls Before Swine, reports on itself doing so

PEARLS BEFORE ‘NEIN’: Stephan Pastis finds irony in Post nixing strip about word choice…because of word choice.
BY MICHAEL CAVNA