Sunday, March 09, 2014

'The Intergalatic Nemesis' returns


"The Intergalatic Nemesis," a live homage to old-time radio shows--featuring comic book art and voice work and sounds effects--returns to the D.C. area with two evening performances on April 25 and 26 at Artisphere in Arlington, Va.

Photo: Artisphere

Comic Riffs on Daniel Boris' Kickstarter

 

Kickstarter of the Week: Post Contest finalist launches book campaign

    By Michael Cavna     

    Washington Post Comic Riffs blog March 8 2014

    http://www.washingtonpost.com/news/comic-riffs/wp/2014/03/08/kickstarter-of-the-week-post-contest-finalist-launches-book-campaign/

Smudge Expo photos from Bruce Guthrie

Bruce Guthrie's pictures of the Smudge expo are here.

Click to see shots of Essa Neima, Steve Artley and Ben Hatke teaching.

That darn Doonesbury!

Letter to the Editor

Time for a 'Doonesbury' hiatus [online as: Put the classic ‘Doonesbury’ on hiatus]

Steve Lodge, Bethesda

Washington Post  March 8 2014

http://www.washingtonpost.com/opinions/put-the-classic-doonesbury-on-hiatus/2014/03/07/cbaef91e-a493-11e3-b865-38b254d92063_story.html

Friday, March 07, 2014

Rafer Roberts interview at Smudge website

Smudge JR Interview #6: Rafer Roberts

 BY TINA HENRY,  SMUDGE MARCH 7, 2014

http://www.smudgexpo.com/2014/03/07/smudge-jr-interview-6-rafer-roberts/

G.E. Gallas interview online at City Paper

The Post reviews 300 sequel and Mr. Peabody cartoon

There's no going back: '300' prequel returns to Greece with more gore, grunting and aggressive sexuality [online as ‘300: Rise of an Empire’ movie review: Sequel is no fun at all].

.

Cartoonist talks at tomorrow's FREE Smudge Con in Rosslyn

Thursday, March 06, 2014

Michael Bracco interviewed at Smudge

March 8: Calvin and Hobbes documentary at Artisphere

 “Dear Mr. Watterson” Artisphere, 1101 Wilson Boulevard, Arlington; Sat., 7:30 p.m., $8; 703-875-1100. (Rosslyn) (One of those fans was D.C. musician Mike Boggs — aka We Were Pirates — who wrote the score. At Artisphere, Boggs will perform and participate in a post-screening Q-and-A with Express contributor Nevin Martell, author of “Looking for Calvin and Hobbes.”)

and here's the Express story on it from which the above quote is taken: 

Eternally, Calvin and Hobbes: ‘Dear Mr. Watterson’ is a love letter to a beloved comic strip 

Wednesday, March 05, 2014

Rob Steibel's latest Kirby column at TCJ.com

Jack Kirby: Behind the Lines

“If I Don’t Put this Dude Out of Action Now, We’re Both Chopped Liver!”

BY Robert Steibel Mar 5, 2014

Comic Riffs on Denver Kickstarter

‘DENVER’: The waters–and crowd-funds–rise for PaperFilms’ post-apocalyptic graphic novel

By David Betancourt

Steve Loya interview at City Paper blog

Former comic book artist Jon J. Muth in today's Post

Smudge featured on WTOP

Comic book superheroes save reading, storytelling
By Alicia Lozano

The free con is this Saturday in Rosslyn.

These Are Your Grandfather’s Comics: My Link to the Platinum Age

These Are Your Grandfather’s Comics
My Link to the Platinum Age
by

Stu McIntire

In the summer of 1981 I was visiting my grandparents. My grandfather was an antique collector at heart. I shared with him how I’d recently purchased The Latest Adventures of Foxy Grandpa (1905) at an antique store in New Market, Maryland.



I was more than a little surprised at his excited reaction. It turns out that as a young boy growing up in the in the Midwest, he was an enormous fan of Foxy Grandpa as well as other early U.S. newspaper comic strips, including The Yellow Kid and Happy Hooligan. In fact, he meticulously maintained a scrapbook of The Yellow Kid.

The Yellow Kid full newspaper page

Now it was my turn to get excited. “Do you still have it?” I asked. Sadly, the answer was no. His mother had burned it. She had no way to foresee a future interest much less the collectability of these newspaper “funnies” or their progeny. It wasn’t an act of malicious intent. It was just…inevitable. It’s what was done with such relics. Alas. But my grandfather would soon gift me with a (non-Yellow Kid) goodie from his youth. More on this later.

Over the years I’ve purchased or have been gifted other Foxy Grandpa collectibles. You see, it turns out Foxy was quite popular “back in the day”. A handful of (very) short Foxy Grandpa films were produced…more books…toys…sheet music…you name it. These are the Foxy Grandpa items I own:

post card (1906) 


post card (1906) 


 Up to Date card game (Selchow & Righter) (1903)

Hubley (repro) cast iron bank 

comic book (1905)

The Adventures of Lovely Lilly

The happy result of this bonding moment with my grandfather was that he gifted me a…handkerchief. Yes, a handkerchief. Not just any old scrap of fabric, this one has a backstory. You see, this handkerchief has faint pictures imprinted on it. My grandfather apologized that the pictures were not clearer. He explained that they are meant to be well-defined. When it was brand new the material showed no pictures. One was meant to take a hot iron and press the fabric until the images “magically” appeared. The pictures on this were not faded. They were just never fully exposed because the iron my grandfather used was not yet sufficiently hot to do the job it was meant to do.

It would be some time before I identified the artwork and writing on my handkerchief. I even tried enlisting the aid of Maggie Thompson (Comics Buyers Guide) at a comic convention in Philadelphia in the early 90s. I had no luck but I never gave up. Finally I made an inroad (the Internet can be a wonderful thing). Last year I found a match to the handkerchief on Pinterest (shown below). Text accompanying the photos identified the character as Lilly, from The Adventures of Lovely Lilly.

handkerchief (front view) 
handkerchief (back view)









NOW I was making some headway. Further research revealed that The Adventures of Lovely Lilly was a short-lived newspaper strip that ran in the Sunday New York Herald at the dawn of the 20th century. Written by Carolyn Wells and illustrated by G.F. (George Frederick) Kaber, Lovely Lilly featured an intrepid young lady who faced down fearsome beasts and dispatched them with alacrity. The text featured on the handkerchief reads as follows:

Lovely Lilly met a tiger walking in the wood.
Angrily he snapped and snarled as any tiger would.
By his throat she firmly grabbed him til he held his breath.
With her chubby hands she squeezed him til he choked to death.

Wow. Lilly was certainly no pushover!

A photo of Carolyn Wells and a few examples of Kaber’s non-Lilly art follow:
photo of Carolyn Wells

artwork by G.F. Kaber 



G.F. Kaber signature



artwork by G.F. Kaber 





Here are a few more samples of Lilly’s adventures:



Lovely Lilly in her travels met a buffalo.
Fierce and furious, the creature rushed at Lilly – so!
Naughty! Naughty! Lilly cried with disapproving frown.
Then she stuffed him in her box and shut the cover down.



Lovely Lilly idly watched an elephant draw nigh.
When he glared at her, she looked him squarely in the eye.
When he trumpeted loud and thought he’s rouse her fear,
Lilly only laughed at him, and soundly boxed his ears.



Lovely Lilly out a walking saw a crocodile.
Lovely Lilly said “Good morning” with a pleasant snile.
Nearer came the beast and nearer. Wide he stretched his maw.
Lovely Lilly with a quiet wrench broke the creature’s paw.

While hardly the stuff of sweet childhood dreams, Lilly was not unique when it comes to examples of grisly detail in children’s literature (the Brothers Grimm being one obvious prior example). Without question these were different times and the comic art preceding the First World War and later, the Great Depression were received by a reading public of a different sensibility.

I can only imagine my grandfather as a pre-teen youngster, eagerly devouring the stories of Lilly, Foxy, Yellow Kid, and Happy Hooligan. Perhaps too, the likes of The Katzenjammer Kids, Alphonse and Gaston, Buster Brown, Little Nemo in Slumberland, Mutt & Jeff, or Toonerville Trolley. What an exciting time to be a kid!

Over-the-top movie promotions

I saw Miyazaki's The Wind Rises anime in a movie theater last weekend, and I was amazed at the amount and size of promotional pieces for comic book and animation movies. Here's some from a Regal theater.











Tuesday, March 04, 2014

Adam Zyglis to receive Berryman Award tomorrow at Press Club

News cartoonist Adam Zyglis wins National Press Foundation award

Cartoonist Adam Zyglis joined The Buffalo News in 2004.

Cartoonist Adam Zyglis joined The Buffalo News in 2004. Derek Gee/Buffalo News

By Mark Sommer | News Staff Reporter

on March 3, 2014

http://www.buffalonews.com/city-region/honor-roll/news-cartoonist-adam-zyglis-wins-national-press-foundation-award-20140303

Beyond Comics Gaithersburg Delivery Delay



Due to the inclement weather affecting shipping, the Gaithersburg location will not have new comics available until early afternoon, Wednesday. Frederick's comics will be on time.

Thanks for your continued patronage.


Beyond Comics | Gaithersburg Square | 18749 B North Frederick Avenue | Gaithersburg | MD | 20879

Jen Sorenson wins Herblock award

THIS JUST IN: Jen Sorensen becomes first woman to win the Herblock Prize

  •  

  • BY MICHAEL CAVNA
  • Washington Post Comic Riffs blog March 4 , 2014

http://www.washingtonpost.com/news/comic-riffs/wp/2014/03/04/this-just-in-jen-sorensen-becomes-first-woman-to-win-the-herblock-prize/

Monday, March 03, 2014

3/8: Gaylords at 3rd Eye Comics

SAT. 3/8: LOKI: RAGNAROK & ROLL Signing with JERRY & PENELOPE GAYLORD

  

This Saturday March 8th, we'll be hosting long-time friends of Third Eye, Jerry & Penelope Gaylord, as we celebrate their brand new BOOM! Studios series LOKI RAGNAROK & ROLL. 

 

Join us from 11AM-1PM, as these incredibly talented artists who've worked on books like ADVENTURE TIME, FANBOYS VS ZOMBIES and more, sign copies of their earlier works and their most recent hit: LOKI RAGNAROK & ROLL.

 

Want more info on our signing with Charles? Click here for the full scoop.

 

Zita and Bloop books to premiere at Smudge on March 8

2nd CARtoons exhibit pictures online

Bruce Guthrie took shots of the closing reception of the 2nd CARToons exhibit at the University of the District of Columbia. You can see a bunch of local cartoonists here. The exhibit was curated by Teresa Logan, aka 'The Laughing Redhead'.

April 6: Rat Queens signing at Big Planet Comics

PR: 2013 SPACE Prize winners have been announced!

District Comics earns a 2013 SPACE Prize!
District Comics: An Unconventional History of Washington, D.C. tours some of DC's lesser-known moments, with stops along the way for a duel, a drink in the Senate speakeasey, a shoe-shine, and much more. Forty talented writers and artists share stories you otherwise might never hear, featuring some of the city’s most captivating characters—from printers and police officers to pandas and punks. And, of course, a few politicians.

See the other SPACE Award winners here
Matt Dembicki is the founder of the D.C. Conspiracy, a comic creators’ collaborative in Washington, DC. He’s the editor of the Eisner-nominated and Aesop Prize-winning Trickster: Native American Tales and the forthcoming graphic anthology, Wild Ocean: Sharks, Whales, Rays, and Other Endagered Sea Creatures.
District Comics by Matt Dembicki
For further information, to request review copies of Matt's books, or to feature Matt at an event, please contact: Melanie Roth, Marketing Manager, at melanie@fulcrumbooks.com

Paperback, $24.95, 978-1-55591-751-7



A couple books premiering at Smudge


Two books that will premiere at the Smudge Comics Arts Expo this weekend include Ben Hatke’s ‘The Return of Zita the Spacegirl’ (Ben will have a limited number of these advanced copies) and the 6x9 edition of Steve Conley’s ‘Bloop.’ The show on March 8 runs from noon to 6 p.m. at the Artisphere in Arlington, Va. (The Orange Line is a block away and there is validated parking at the Artisphere.)


Photos courtesy of Ben Hatke and Steve Conley

Sunday, March 02, 2014

Meet a Local Cartoonist: A Chat with Santiago Casares


What type of comic work or cartooning do you do?
I do mostly cartoony comics, if that makes sense. My style relates more to comic strips than to superhero comics.

How do you do it? Traditional pen and ink, computer or a combination?
Every finished piece of art I do passes through the computer nowadays, and most of it is being done 100% digitally. That being said, I still draw in my sketchbook every day in pencil/pen and ink.

When (within a decade is fine) and where were you born?
I was born in Mexico City in the 70’s.

Why are you in Washington now?  What neighborhood or area do you live in?
I moved to Washington DC because of love (even though that might sound like a cliché!). We live in the Mount Pleasant neighborhood.

What is your training and/or education in cartooning?
I studied a BFA in Visual Arts in Mexico City and then a MFA in Illustration at the Academy of Art University is San Francisco.

Who are your influences?
My biggest influence as a cartoonist is Bill Watterson, who I consider the best there ever was. Besides him the people I admire and allow their work to influence me are very varied, from Mike Mignola to Scott Morse.

If you could, what in your career would you do-over or change?
I would’ve taken my drawing skills more seriously, and would’ve practiced more while growing up.

What work are you best-known for?
My best-known work is my webcomic, Chili’s World.

What work are you most proud of?
This is a hard question to answer, as it’s usually the last thing I’ve done! So, I guess it depends on what page I’ve just finished.

What would you like to do or work on in the future?
I am currently trying to break into the Picture Books market. Picture Books have the same element than comics in that it’s a medium that combines images and words to create a whole new world.

What do you do when you're in a rut or have writer's block?
When I don’t know what to do, I still have to do the work. Even though creativity might not be flowing as I wish it was, my webcomic still needs to be updated. So basically, I keep on working through the rut or writer’s block…

What do you think will be the future of your field?
It’s taken a while, but now comics are being recognized as a proper medium to tell stories (both fiction and non-fiction). I believe that just like with books, most comics are going to be delivered digitally, with print becoming more of a collectors market.

What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?
I’ve exhibited at SPX and at the DC Zine Fest. And this year I’m going to be a part of a new show that looks very promising called Smudge Expo, over at the Artisphere in Arlington, VA. Attending shows is important to get to know the people that like your stuff and to promote it to new crowds.

What's your favorite thing about DC?
I love that you can walk almost anywhere in the city without the need of a car. And having amazing museums for free isn’t too shabby either! :)

Least favorite?
The scorching summer.

What monument or museum do you like to take visitors to?
I love taking visitors to the Kogod Courtyard inside the Portrait Gallery / American Art Museum (after visiting the museums, of course). It’s such a peaceful place!

How about a favorite local restaurant?
I really like Beau Thai here in Mount Pleasant, or maybe Red Rocks Pizza or El Chucho's in Columbia Heights… I guess it depends on what I'm craving.

Do you have a website or blog?
Yes, I do! You can check out Chili’s World at www.chilisworld.com and my portfolio at www.santiagocasares.com.

As he noted, Mr. Casares will be at Smudge this coming Saturday, March 8th.

That darn Beetle Bailey

Letter to the Editor: The rewards of hard work

  • Patrick Sullivan, Herndon

Saturday, March 01, 2014

Daniel Boris' Kickstarter for children's book

Dozi the Alligator: An illustrated children's book

by Daniel Boris
https://www.kickstarter.com/projects/1107487436/dozi-the-alligator-an-illustrated-childrens-book

The story of a little alligator named Dozi, beautifully illustrated by Italian artist Nicola Sammarco.

This story is based on characters from my comic strip. It is the tale of a lovable alligator who secretly stows away with a family after a chance encounter during their Florida vacation. The colorful story is told in amusing verses and packed with twenty gorgeous illustrations that will captivate and entertain readers of all ages.

This is the "inaugural" first printing of Dozi the Alligator. It will be a high-quality, hardcover, numbered, limited edition.